Lenin's Mausoleum — A Babylonian Ziggurat and Teraphim in Moscow
Mikhail Saltan, Gleb Shcherbatov
Secrets of the Ziggurat and the Teraphim on Red Square
Satanic altar of VIL
The architectural ensemble of Red Square took shape over centuries. Tsars succeeded one another. The citadel walls succeeded one another — first wooden, then white stone, and finally brick, as we see them now. Fortress towers were erected and demolished. Houses were built and dismantled. Trees grew and were cut down. Defensive moats were dug and filled. Water was diverted and drawn off. A broad network of underground utilities was laid and destroyed, affecting surface structures in one way or another. The surface itself also changed, right down to a railway (until 1930 a tram ran here). The result is what we see today: a red wall, towers with stars, huge pine trees, St. Basil’s Cathedral, trading rows, the Historical Museum, and… a ritual ziggurat tower in the very center of the square.
Even a person far removed from architecture can’t help asking: why, in the 20th century, was it decided to build a structure next to a Russian medieval fortress that is an exact copy of the summit of the Pyramid of the Moon in Teotihuacan?
Pyramid of the Moon, Teotihuacan
Sacrifice of 80,000 people to the bloodthirsty “god” Huitzilopochtli (top right) at the opening of the temple in Teotihuacan
The Athenian Parthenon has been duplicated at least twice worldwide — one copy stands in the city of Sochi, built on the orders of Comrade Dzhugashvili. The Eiffel Tower has been multiplied to such an extent that its clones are present in one form or another in every country. Even “Egyptian” pyramids can be found in some parks. But to build a temple to Huitzilopochtli (Huitzilopochtli), the supreme and most bloodthirsty deity of the Aztecs, in the very heart of Russia — that is simply an astonishing idea! Yet one could come to terms with the architectural tastes of the leaders of the Bolshevik Revolution — well, they built it, so be it. But what is striking about the ziggurat on Red Square is not its appearance. It is no secret that in the basement of the ziggurat lies a corpse embalmed according to some set of rules.
A mummy in the 20th century, made by the hands of atheists — that is nonsense. Even when park and ride builders erect “Egyptian” pyramids somewhere, they are pyramids only on the outside: it has never occurred to anyone to seal a freshly made “pharaoh” inside.
How did it occur to the Bolsheviks? Unclear. And why hasn’t the mummy been removed yet, given that the Bolsheviks themselves have, as it were, already been removed? And why does the Russian Orthodox Church remain silent, since the body, so to speak, is not laid to rest? Moreover, many other bodies are immured in the wall near the ziggurat, which for Christians is the height of blasphemy, a shrine of Satan, by and large, for it is an ancient black magic ritual — to immure people in fortress walls (so the fortress stands for centuries)? And the stars above the towers are five-pointed! Pure Satanism, state-level Satanism — just like among the Aztecs.
In this situation, every person who considers himself a clergyman in “multi-confessional” Russia must begin each morning with a prayer to his gods, urgently calling for the ziggurat to be removed from Red Square, for it is a temple of Satan, neither more nor less! Russia, we are told, is a “multi-confessional country”: here there are “Orthodox” (meaning the false church of the ROC MP — editor’s note), Jehovah’s Witnesses, Muslims, and even gentlemen who call themselves rabbis. They all remain silent: Ridiger, various mullahs, Berl-Lazars. They are fine with the temple of Satan on Red Square. At the same time, this whole company says they serve a single “god.” One gets the persistent impression that we know the name of this “god” — his main temple stands in the country’s most prominent place. What further proof does anyone need?
From time to time the public tries to remind the authorities that, after all, the building of communism was canceled 15 years ago, so it wouldn’t hurt to take the chief builder out of the ziggurat and bury him, or even burn him, scattering the ashes somewhere over the warm sea. The authorities explain: pensioners will protest. A strange explanation: when Comrade Dzhugashvili was taken out of the ziggurat, half the country was in an uproar, but never mind — it didn’t bother the authorities much. And today’s Stalinists are not what they used to be: pensioners keep silent even when they are starving, when rents, electricity, gas, transport prices are raised yet again — and here, suddenly, they would all come out and protest?
Sick V.I. Lenin, gravely ill, he is not really living but merely surviving, shattered by paralysis and having lost his speech. The last photograph. He dies in January 1924.
Dzhugashvili was taken out: today they acknowledged he was a criminal – tomorrow they already buried him. But with Blank (Ulyanov), the authorities for some reason are not in a hurry – they’ve been dragging out the removal of the body for 15 years now. They haven’t removed the stars from the Kremlin, although the “Museum of the Revolution” was renamed the “Historical Museum.” They haven’t removed the stars from shoulder boards, although political officers were removed from the army. Moreover: the stars were returned to the banners. The anthem was returned. The words are different – but the music is the same, as if it awakens in listeners some programmatic rhythm important for the authorities. And the mummy continues to lie. Is there some occult meaning involved in all this, incomprehensible to the public? The authorities again explain: if you touch the mummy, the communists will organize actions. But on November 4 we saw the “action” of the communists – three old women came. And four old women came out with banners a couple of days later – on November 7. Are the authorities really so afraid of them? Or maybe it’s about something else?
Today, to a person who knows what magic is, the occult, mystical meaning of the structure on Red Square is perfectly clear. Sometimes it is difficult to explain to others the full drama of the experiment being carried out on them – some won’t believe it, some will twirl a finger at their temple. However, modern science does not stand still, and what only yesterday seemed like magic, for example, human flight through the air or television, has today become so-called objective reality. Many aspects connected with the ziggurat on Red Square have also become reality.
WHY THE SQUARE IS RED
Modern physics has studied a little of electricity, light, corpuscular radiation; there is talk of the existence of other waves and phenomena. And they are regularly discovered, for example, the Japanese scientist Masaru Emoto not long ago conducted an extensive study of the microstructure of water crystals, to which certain properties of an information carrier (and amplifier of various radiations unregistered by instruments) have long been attributed. That is, some part of the knowledge considered occult has already become a purely physical fact.
Who, besides specialists, knows about the “mitogenic radiation” of Gurwitsch (Gurwitsch, discovered back in 1923 (its physical nature was partially established in 1954 by the Italians L. Colli and U. Facchini)? These and other persistent invisible waves are emitted by dead or dying cells. Such waves kill – proven in a number of experiments. Obviously, the reader assumes that we are now going to discuss “radiations” emanating from the mummy and harming Muscovites? The reader is deeply mistaken: we are now going to talk about the history of Red Square. It will explain everything.
Red Square was not always Red. In the Middle Ages, there were many wooden buildings there, in which fires constantly occurred. Naturally – over several centuries, more than one person burned alive on this spot. At the end of the 15th century, Ivan III put an end to these disasters: the wooden structures were demolished, forming a square – Torg. But in 1571, Torg still burned down completely, and again people burned alive – just as they would later burn in the “Rossiya” Hotel. And from that time, the square became called “Pozhar” (Fire). For centuries, it became a place of executions – tearing out nostrils, flogging with whips, quartering, and boiling alive. Corpses were thrown into the fortress moat – right where the bodies of some military figures are now immured. During the time of Ivan the Terrible, wild animals were even kept in the moat, fed with these corpses. In 1812, during Napoleon’s capture of Moscow, it all burned again. Back then, about one hundred thousand Muscovites died, and corpses were also dragged into the fortress moats – nobody buried them in winter.
From an occult point of view, after such a prehistory, Red Square is ALREADY a terrible place, and some sensitive people, approaching the Kremlin for the first time, clearly feel the oppressive atmosphere emanating from its walls. From a physical point of view – the ground under Red Square is saturated with death, for the necrobiotic radiation discovered by Gurwitsch is extremely persistent. Thus, the very place for the ziggurat and the burial of Soviet commanders already prompts certain reflections
THE ORIGINS OF NECROMANCERS’ ARCHITECTURE
Sumerian ziggurat
A ziggurat is a ritual architectural structure that narrows upwards like a multi-stepped pyramid – the same one that stands on Red Square. However, a ziggurat is not a pyramid, since it always has a small temple on top. The most famous of the ziggurats is the famous Tower of Babel. Judging by the remains of the foundation and inscriptions on surviving clay tablets, the Tower of Babel consisted of seven tiers resting on a square base with a side of about one hundred meters.
The top of the tower was arranged as a small temple with a ritual MARRIAGE BED as an altar – the place where the king of Babylon had intercourse with virgins brought to him – the wives of the god of the Babylonians: it was believed that at the moment of the act, the deity entered the king or priest performing the magical ceremony and impregnated the woman.
The height of the Tower of Babel did not exceed the width of its base, which we also see in the ziggurat on Red Square, i.e., it is quite typical. Its content is also quite typical: something resembling a temple at the top, and something mummified lying on the lowest level. That something which the Chaldeans used in Babylon later received the designation – teraphim, that is, the opposite of seraphim.
Human sacrifices to Vil-Vaal-Molech
It is difficult to explain the essence of the concept of “teraphim” briefly, not to mention descriptions of varieties of teraphim and approximate principles of their operation. But speaking roughly, a teraphim is a kind of “cursed object,” a “collector” of magical, parapsychic energy, which, as magicians claim, envelops the teraphim in layers formed by special rites and ceremonies. These manipulations are called “creation of teraphim”, since it is impossible to “manufacture” a teraphim.
The Mesopotamian clay tablets are not easily deciphered, which gives rise to various interpretations of the signs recorded there, sometimes leading to quite astonishing conclusions (for instance, those set forth in the books of Zecharia Sitchin). Moreover, the sequence of “creating the teraphim” that lay at the foundation of the Tower of Babel would never have been made public by any priest—even under torture.
The pickled head with a hole of VIL is still an object of worship for Russians
The only thing the texts speak of, and upon which all translators agree, is that the teraphim of Vil (the chief god of the Babylonians, for communication with whom the tower was built) was a specially treated head of a red-haired man, sealed in a crystal dome. From time to time, other heads were added to it.
By analogy with the making of teraphim in other cults (Voodoo and certain religions of the Near East), inside the embalmed head (in the mouth or in place of the removed brain) there was most likely a gold plate, apparently rhombus-shaped, with magical ritual signs. Within it was enclosed all the power of the teraphim, enabling its owner to interact with any metal on which certain signs or an image of the entire teraphim were inscribed in one way or another: through the metal, as it were, the will of the teraphim’s owner flowed into the person in contact with it. By forcing his subjects, on pain of death, to wear “rhombuses” around their necks, the king of Babylon could, to some degree, control their owners.
Communist idol – a bust of Lenin for everyone in the USSR
We cannot claim that the head of the person lying in the ziggurat on Red Square is a teraphim, yet the following facts draw attention:
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the mummy’s head contains at least a cavity – the brain is still kept, for some reason, at the Brain Institute;
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the head is covered by a surface of special glass;
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the head lies in the lowest tier of the ziggurat, although it would have been more logical to display it somewhere above. In all cult buildings, the basement is always used for contact with beings of the Underworld;
Octobrist, Pioneer and Komsomol badges of the godless
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replicas of the head (busts) were mass-produced throughout the entire USSR, including pioneer badges where the head was placed in a fire—that is, depicted during a classic magical procedure of communicating with demons of the Underworld;
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instead of shoulder straps, the Red Army in the USSR for some reason introduced “rhombuses,” which were later replaced with “stars”—the very same that burn on the Kremlin towers and which the Babylonians used in cult ceremonies of communicating with Vil. “Decorations” resembling rhombuses and stars, imitating the gold plate inside the head beneath the tower, were also worn in Babylon—they are found in abundance during excavations;
Moreover, in the magical practices of Voodoo and certain religions of the Near East, the process of “creating a teraphim” is accompanied by ritual murder—the life force of the victim was supposed to pass into the teraphim. In some rites, body parts of the victim are also used; for instance, the victim’s head is walled up under the glass sarcophagus together with the teraphim.
We cannot claim that something is similarly walled up under the head of the mummy in the ziggurat on Red Square, yet there are testimonies asserting that such a fact does exist: in the ziggurat lie the heads of the ritually murdered tsar and tsarina, as well as the heads of two other unknown persons killed in the summer of 1991—the time of the “transfer” of power from the Communists to the “democrats” (thus the teraphim was, as it were, “renewed,” strengthened).
The last Russian Tsar Nicholas II with the Tsarina and children
We possess some interesting facts.
Fact one is the undoubted fact that the murder of Nicholas II was ritualistic and, consequently, his remains could have been subsequently used for ritual purposes. Entire historical studies have been written about this, dotting all the i’s.
Fact two is reflected in these studies: testimonies of Ekaterinburg residents who, on the eve of the tsar’s murder, saw a man “with the appearance of a rabbi, with a beard black as pitch”: he was brought to the execution site in a train consisting of a SINGLE CARRIAGE, which this important person among the Bolsheviks occupied. Immediately after the execution, such a conspicuous train departed with some boxes. Who came, and for what purpose—we do not know.
Boris Zbarsky – embalmer of Lenin’s mummy
But we know fact three: the recipe for embalming was allegedly “invented” by a certain Professor Boris Zbarsky in three days, whereas the same North Koreans, with far more advanced technologies, worked on preserving Kim Il-sung for over a year. That is to say, someone apparently again prompted Zbarsky with the recipe. And to prevent the recipe from leaking out of the circle of his own, Professor Vorobyov, who helped Zbarsky and also, willy-nilly, learned of the secret—quite soon “accidentally” died during an operation.
Finally, fact four—the consultations mentioned in historical documents between the architect Shchusev (the official “builder” of the ziggurat) and a certain Frederik Poulsen, a specialist in Mesopotamian architecture. It is interesting: why would the architect consult with an archaeologist, since Shchusev was supposedly building, not conducting excavations?
Thus, we have every reason to assume that if the Bolsheviks had so many “consultants”—on construction, on ritual murders, on embalming—then it is obvious that they advised the revolutionaries correctly, doing everything according to one magical scheme: would they have built a Chaldean ziggurat, embalmed the body according to an Egyptian recipe, accompanied by Aztec ceremonies? Although with the Aztecs, not everything is so simple.
We compared the ziggurat on Red Square to the Tower of Babel not because it resembles it most closely, though it does strongly resemble it: simply the abbreviation of the name‑pseudonym of the leader of the world proletariat entombed in the ziggurat coincides with the name of the Babylonians’ god — his name was Bel. We don’t know — again, probably a “coincidence.” But if we speak of an EXACT copy of the ziggurat, of a model, an “original,” it is undoubtedly the structure atop the Pyramid of the Moon in Teotihuacan, where the Aztecs offered human sacrifices to their god Huitzilopochtli. Or a structure very much like it.
Huitzilopochtli is the chief god of the Aztec pantheon. Once he promised the Aztecs that he would lead them to a “blessed” place where they would become his chosen people. This happened under the chieftain Tenoch: the Aztecs came to Teotihuacan, slaughtered the Toltecs who lived there, and on the top of one of the pyramids built by the Toltecs erected a shrine to Huitzilopochtli, where they gave thanks to their tribal god with human sacrifices.
Thus, with the Aztecs everything is clear: first some demon helped them — then they began to feed this demon. However, with the Bolsheviks nothing is clear: surely Huitzilopochtli was not involved in the 1917 revolution, yet the temple near the Kremlin is definitely built for him?! Moreover: Shchusev, who was building the ziggurat, was advised by a specialist in Mesopotamian cultures, right? But the result was a temple to the bloody deity of the Aztecs. How did that happen? Did Shchusev not listen well? Or did Poulsen tell it poorly? Or perhaps Poulsen really did have something to tell?
The throne of Satan in Pergamum — the altars of Zeus and Aesculapius (the largest)
An answer to this question became possible only in the mid‑20th century, when images of the so‑called “Pergamon Altar,” or as it is also called — “the throne of Satan,” were found. Reference to it appears already in the Gospels, where Christ, addressing a man from Pergamum, said: “…you dwell where Satan’s throne is” (Rev. 2:13). For a long time this structure was known mainly from legends — there was no image.
Once this image was found [1]. Upon studying it, it turned out that either the temple of Huitzilopochtli is its exact copy, or the structures have some more ancient original from which they were copied. The most convincing version asserts that the “original” now rests at the bottom of the Mediterranean Sea — in the middle of the lost primeval continent — Atlantis. We do not know whether this is really the case, and it is hard to say to which branch the builders of the ziggurat in Moscow belong, but the fact is obvious: in the center of the capital stands a structure that is an exact copy of two ancient temples where bloody rites were performed, and inside this structure, in a glass coffin, lies a specially embalmed corpse. And this in the 20th century.
The consultant who “helped” Shchusev build the ziggurat knew very well what the structure the client needed should look like, even without any excavations of clay tablets. Strange knowledge, strange clients, strange place for the building, strange events in the country after the completion of construction — famine, and not just one, war, and not just one, the GULAG — a whole network of places where millions of people were tortured as if their life energy were being drained out of them. And the accumulator of this energy, it seems, was exactly the ziggurat.
PRINCIPLES OF OPERATION OF THE ZIGGURAT COMPLEX
Trying to speak about the “principles of operation” of the ritual complex on Red Square would not be quite correct, because magic is an act of occult influence, and the occult has no principles. For example, physics discusses some “protons” and “electrons,” yet at the beginning there still lies the creation of electrons, the creation of protons. How did they come into being? As a result of the “magic” of the Big Bang? One can call a phenomenon by any words, but that does not make the supernatural something that can be touched and seen. Even “touching” and “looking” are still a fact of the interaction of consciousness with individual manifestations of so‑called “electricity,” the essence of which is absolutely incomprehensible. Nevertheless, let us try to fit into the terminology acceptable to scientific atheism.
Plan of Satan’s throne, top view: the “cut” 4th corner (taken from the Bolshevik site www.lenin.ru)
Everyone knows what a parabolic antenna is. We also know the general principle of its operation: a parabolic antenna is a mirror that gathers something, right? And what is the corner of a building? A corner is a corner, that is, the intersection of two straight walls. At the base of the ziggurat on Red Square there are three such corners. But in the place of the fourth – on the side from which the demonstrations passing in front of the tribunes emerge – there is no corner. There is, of course, not a stone parabolic “dish” there, but there definitely is no corner — there is a niche (it is clearly visible in archival footage where people in star‑adorned clothes burn the banners of the Third Reich at the ziggurat). The question arises: why this niche? Where did such a strange architectural decision come from? Could the ziggurat be drawing some kind of energy from the crowd moving across the square? We do not know, though we recall that it is customary to put a very naughty child in a corner, and sitting on the corner of a table is extremely uncomfortable, because depressions and inner corners draw energy out of a person, while sharply protruding corners and edges, on the contrary, radiate it. What kind of energy is being referred to we cannot say; perhaps some of its qualities are represented by so‑called “electromagnetic radiation,” actively used by the builders of the ziggurat. Judge for yourselves.
In the early 1920s, Paul Kremer published a series of works in which, operating with such a purely abstract thing at that time as «genes» (DNA was not yet known), he developed a whole theory about ways to influence the genes of a particular population with hypothetical radiation emanating from dead or dying tissues. Essentially, it was a theory of how to spoil the gene pool of an entire nation by making people stand for a while before a specially treated corpse or by relaying the «radiation» of that corpse across the whole country. At first glance, a pure theory: some «genes,» some «rays,» although magicians had known this procedure perfectly well since the time of the pharaohs, and it was governed by the laws of asymptotic magic. According to these laws, the appearance and well-being of the pharaoh were somehow supernaturally transmitted to his subjects: if the pharaoh was ill, the people were ill; if some freak or mutant was made pharaoh, mutations and deformities began to appear in children throughout Egypt.
Then people forgot about this magic, or more precisely, people were actively helped to forget that it was magic. But time passes, and people understand how the DNA system works — they understand it from the point of view of molecular biology. Then a few more decades pass, and a science called wave genetics appears, and such phenomena as DNA solitons are discovered — that is, ultraweak but extremely stable acoustic and electromagnetic fields generated by the cell’s genetic apparatus. Using these fields, cells exchange information with each other and with the surrounding world, switching on, switching off, or even rearranging certain regions of chromosomes. This is a scientific fact, not science fiction. All that remains is to compare the fact of the existence of DNA solitons with the fact that SEVENTY MILLION people have visited the ziggurat with the mummy. Draw your own conclusions.
Another possible «mechanism of action» of the ziggurat is a stable mitogenic field on Red Square, created by the blood and emanations of pain from the people killed there that have soaked into the local soil. Is it a coincidence that the ziggurat is located exactly in that spot? And the fact that a huge sewer collector runs beneath the ziggurat — that is, a cesspool filled to the brim with excrement — is that also a «coincidence»? Excrement, on the one hand, is a substance long and traditionally used in magic to inflict various types of curses; on the other hand, think how many microbes live and die in the sewer? When they die, they emit radiation. The experiments of Gurvich showed how strong it can be: small colonies of microbes easily killed mice and even rats. Did the builders of the ziggurat know that a sewer ran under the site of the future construction? Let us suppose that the Bolsheviks had no architectural plan of the square, they dug blindly, and as a result the sewer was once breached and the mummy was flooded. But later the collector was not rerouted, say, away from the ziggurat. It was simply deepened and widened (this information will be confirmed by Moscow diggers) — so that the leader of the world proletariat would have something to feed on.
It seems that the builders of the ziggurat possessed magic to perfection, if through the millennia they managed to pass down some tradition from generation to generation and at one point reproduced the «throne of Satan» on Red Square — never having seen the drawings with its image known to science. They possessed it, they possess it, and apparently will continue to possess it, conducting satanic experiments on the Russians, and perhaps on all humankind. But perhaps they will not — if the Russians find the strength to put an end to it. This is not difficult to do, because: although the ziggurat is registered with UNESCO as a «historical monument» (monuments are not to be desecrated), the unburied corpse lying there falls completely outside the legal field, defiling the religious feelings of believers of all confessions and even atheists. You can simply take it and drag it out by the legs at night, without violating any Russian «law,» for there is no law or legal basis by which this mummy resides in the ziggurat.
One of the first designs for VIL’s mausoleum
[1] from the book «The Origins of Evil (The Secret of Communism)»:
«Write to the angel of the church in Pergamum: …you dwell where Satan’s throne is:». Any Berlin guidebook mentions that from 1914 the Pergamon Altar was housed in one of the Berlin museums. It was discovered by German archaeologists and moved to the center of Nazi Germany. But the story of the throne of Satan does not end there. The Swedish newspaper Svenska Dagbladet reported on January 27, 1948: “The Soviet army took Berlin, and the altar of Satan was moved to Moscow.” It is strange that for a long time the Pergamon Altar was not exhibited in any Soviet museums. Why was it necessary to move it to Moscow?
Architect Shchusev, who built Lenin’s Mausoleum in 1924, used the Pergamon Altar as the basis for his design of this funerary monument. The mausoleum outwardly replicates the arrangement principle of ancient Babylonian pagan temples, the most famous of which is the Tower of Babel mentioned in the Bible. The Book of Daniel, written in the 7th century BC, says: “The Babylonians had an idol named Vil.” Doesn’t it seem a meaningful coincidence with the initials of Lenin lying on Satan’s throne?
And to this day, VIL’s mummy is kept there, inside a pentagram. Church archeology attests: “The ancient Jews, having rejected Moses and faith in the true God, cast from gold not only a calf but also the star of Remphan” — the five-pointed star that serves as an invariable attribute of satanic worship. Satanists call it the seal of Lucifer.
Thousands of Soviet citizens stood in line every day to visit this shrine of Satan, where Lenin’s mummy lies. Heads of state paid homage to Lenin, who rests within the walls of a monument erected to Satan. Not a day goes by without this place being decorated with flowers, while Christian churches on the same Red Square in Moscow were turned into lifeless museums for decades.
While the Kremlin is overshadowed by the stars of Lucifer, while on Red Square, inside an exact replica of the Pergamon Altar of Satan, lies the mummy of the most consistent Marxist, we know that the influence of the dark forces of communism persists.»
Mikhail Saltan, Gleb Shcherbatov. Secrets of the Ziggurat and Teraphim on Red Square
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